Tenacious Tasmania

One hideously early morning in July we left our fair territory to explore Tasmania. I had been looking forward to it. To my Australian friends (and several of my English ones over the phone), I’ve been moaning a lot about the Australian winter. Fie, woman! I hear you say! Winter days drenched in glorious sunshine, frequently topping 15 degrees? Even the Australian Bureau of Meteorology (ubiquitously ‘BOM’ on everyone’s phone, which sounds less authoritative) recommends UV protection for an hour a day in the middle of winter. So what the feck is my problem? And what has that got to do with Tasmania?

We’ve all heard of the phenomenon ‘hygge’ that Ikea’s made a whole bloody industry out of (stick this post into a word doc – you’ll see the Danish word is so much an accepted commercial part of our language it doesn’t even come up as a spelling mistake). The Dutch have a word for it too; ‘gezellig,’ (now Microsoft doesn’t like that one) and these words evoke a very specific kind of notion to their native speakers of blankets, fires, hot chocolate, books, safety, friendship, and smiles. And before the British lament their anaemically deficient vocabulary, the English language has a word for it too: cosy.

I’ve always been fascinated untranslateables, ever since I travelled Europe, and my aunt bought a book about them called ‘In Other Words…’ (which I can’t find; which one of you bastards has it…). I can identify no Italian word that conveys the ‘cosy’ sentiment. But I bet in the rough and aggressive half French sounds of the Piedmontese dialect just south of the Alps, they got a word for it. Any country that habitually buries itself under winter’s grey blanket for a solid sixth months has this need for coziness. It contrasts necessarily to the misery of winter; you need first to battle through rain driven horizontal by 50k/h winds to reach a place of safety where you will curl with relief into a large chair, huddle a blanket over you, drink tea, read books, encourage anyone foolish enough to get up to light some candles and bring more tea, and be happy. The sort of thing where if a beam of sunlight peeps into the red-bathed warmth, you almost regret it. Go away, you think, you’re interrupting the cosy.

People who have winter in their souls wallow in it. It’s the best thing about winter. Admittedly, there are the virtuous days where silver morning frost trembles under a weak yellow sun and you tramp through the forest and see deer capering in the shadows. But then you deem yourself sufficiently exercised and thankfully head home, fully justified to sit about on your arse for the rest of the week. Winter is rest. You can’t be out and about doing things all the time, you hibernate, you don’t feel like exploring and adventuring, and you stay cozy and sit it out, spending more time with friends over pub lunches by roaring fires and congratulate yourself for having achieved even that. And of course, in the middle of it all, piercing the misery, are the winter celebrations (Christmas), where boaters give each other a log from their own store on Christmas Eve, people get together to eat and drink, you’re justified starting on the old bucks fizz at 10am, beautiful decorations cheer us up and we are cosy together while the wind shouts outside.

So how does this all work for a nation that mostly isn’t troubled by winter and even those few states that are don’t have the month-long celebration to welcome them in from the hungry teeth of frost?

Well, they mostly just screw their eyes up tight and wait for it to be over.

So I was looking forward to truly wallowing in winter in ‘deepest darkest Tassie’ as it has been described to me. I was going to dance Morris at the Huon Valley Midwinter Festival and I was going to drink and be merry.

So it rained a lot. That’s ok, gives you an excuse to retire to the pub. But the only time one transfers from cosy to bleak is when you can’t actually get out of the rain, as was rather the case here, which is not what I meant about wallowing in winter at all. The accumulated sides practised the processional dance on a dangerously slight incline behind the shed where we stashed all our stuff at the festival, and several of us took a tumble. Throughout the weekend, there was much falling over in the mud for Morris dancers but all the jigging about does keep you warm.

The festival was really beautiful. Willie Smith’s Cider began four generations ago in the Huon Valley in Tasmania by Willie Smith (whose parents had arrived here at the expense of her Majesty) when he planted the first tree in 1888. Back then, the Huon Valley exported apples all over the empire and was known as The Apple Isle (did you know that? I didn’t know that), and they got creative when markets changed (that’s free trade) and went to making organic cider. Our friends told us something about Granny Smith of this family being the woman who grew the titular apple…we could find no evidence of this on google, but the cider was delicious. I’m not a huge cider drinker, but I loved every drop. The Huon Valley itself is beautiful; sweeping tall hills, forests, mountains and eye achingly green; and the festival site was the best place to enjoy it. Morris dancers, and Morris groupies (!) were provided FREE accommodation for the duration of the festival in a nice little hotel, free buses took us to the grounds and back, and we got magical red wrist bands that meant you could drink as MUCH CIDER AS YOU WANT FOR FREE. This was a staggering boon, and, I hoped, sufficient compensation for Yates enduring a whole weekend of Morris. There were about four tented stages, a feasting tent with splendid food options from curry to fish, cosy little bars and it was all brilliantly decorated. Apples were the main adornment, and I shudder for the people who must have contracted apple-based fatigue from threading hundreds of apples onto single wires that were then hung as beautiful baubles absolutely everywhere. There were little fires around and a dirty great bonfire in the middle. It did rain and it was cold, and there was little getting out of it, but it did not dampen my revels as I capered and fucked up dance after dance (never mind – it’s only Cotswolds), glugged cider and swanned around in an apple haze. The wassailing ceremony is apparently the biggest in the world, and all 50 or so of us processed to the apple trees (4 sort of separated ceremonial little ones at the top of a slope, almost like a stage) carrying torches or eucalyptus branches and sang and shouted to welcome the spirits and scare away evil and I loved every minute of it.

Yates’ experience was, er, somewhat different. He spent much of the day shivering over a book, waiting for bands to start (there were awkwardly long gaps between acts and he even caught himself saying ‘thank goodness for the Morris really…) and the free booze didn’t warm him up as much as the dancing did me. Still. We watched a great act – Ruben Reeves, check him out – and he did a public duty of warming up 100 people in the middle of winter by getting them to do first a circle pit, then a dance off, and we rocked the hell out until the tent was filled with people stripped to their waists with the little pile of jumpers and coats that we all remember from our club days piled up in front of the stage. Awesome.

After the joys of the festival, we packed our mud sodden bells and hankies away and looked forward to a few days of holiday to really soak up the cosy. Away from tents, and closer to solid buildings that serve beverages. I had this conviction that the place we had booked on Bruny Island (beautiful place off the coast just south east of Hobart) had a log burner and I was excited to cuddle up by it. I do miss my old log burner on the boat. We went to Bonorong wildlife sanctuary, laughed at kookaburras, cuddled Kangaroos and stroked wombats and koala bears. Total win. Then we sped off to the Island of Bruny!

It seemed odd to me that after getting off the mainland to explore a small island, we then left that island to explore another, yet smaller island. I had a sort of Russian doll effect – like how many small islands do I have to visit before I find the final one? Anyway, this place is foodie heaven. They got an oyster place called ‘Get Shucked’ (or as I kept calling it in my infinite coolness, ‘what the shuck?’), they got a place really dedicated to whey….and make beer and cheese, they got a honey place, they got vineyards. I was excited. See previous post for my Australian food adventures which had eventually led me to this heady place.

Yates wasn’t as excited as me about oysters (I again refer you to his wry comments on the matter of molluscs recorded in the previous post), certainly not a whole dozen of them, but one set of the 12 was lightly battered and deep fried and what the hell’s not to like about that? I slurped down a couple with great delight, then seized another that was cooked with a little chorizo and a wonderful broth which I slung down my neck – imagine my horror when I discovered it was bloody hot, of course, wasn’t it. The plain, raw ones with lemon were me fav though. Then we hopped back in the car and wheel spun out of there down the (only) road about a k or 2 and got to the beer place where we tasted a cheese so marvellously soft it was making a run for the door, and I generously had a beer flight of 4 so driver Yates could enjoy a sip of each while I tidied the rest. I am all selfless kindness! Then we drove on to the southern half of the island which is separated from the north by a long thin and typically Australian named ‘neck.’ This was epic – sea on both sides of you, Tasmania to the north west and Fuck All till Antartica to the south east. Apparently there is a fairy penguin rookery on said neck as well (this in fact, is not true, they don’t exist) and we sat on a viewing platform as the sun set and we watched the moon rise silvery gold and full over the waves and gild them in glowing pearls and it was beautiful beautiful and I wept and we sat there for an hour and not one fucking penguin did we see. Please see above well researched fact in parenthesis. So stiff and cold with icy bums and dead legs, we tottered back to the car and headed for our little hotel.

Sadly, all the misguided conviction in the world won’t magic up a woodburner if there simply isn’t one. So wallowing in cosy winter was actually sitting in a large, soulless, breeze block draughty bar with a fire that was going out being scowled at by the two staff on duty until we got the hint and pissed off. We did not write them a good review.

But Bruny Island is ubiquitously beautiful: forested in deep green eucalyptus, edged with glorious wild and ravaged beaches that were so shallow, waves crashed up them for miles in white froth, and the gorgeous curve of Adventure bay that poured rainbows off the crests of waves fringed with foreign trees, trod by plover and fairy wrens with wallabies lurking nearby in unspoilt beauty brought home to me more than ever that I Am On The Other Side Of The World.

Then Yates made me get in the car and drive back to Hobart.

Hobart is not as beautiful as Bruny Island. It’s not as beautiful as Canberra for that matter. Not a lot of trees or parks. Certainly no cycle paths, and there is a madness of 4 lanes per narrow road. The good gentleman described it as ‘like a shitty regional English town.’ I mean no disrespect to our dear Hobartians. The harbour was splendid, there were lovely old buildings and lovely old (but still draughty) pubs with fires. We spent a hell of a long time in the Tasmania Museum and Art Gallery and I got all enraged about Aboriginal murder and dispossession (endlessly) and then we visited the Penitentiary museum and I got equally enraged about the depraved treatment and enslavement of convicts. God. I’m tired of my soap box when there is so much cruelty that continues in the world. But fucken….whipping people to death or at least until their skin rots and maggots wriggle in their very backs and they vomit at their own smell, and the Black Line where indigenous tribes were routinely wiped out…genocide and cruelty is our history in this country. And we disengage and think oh well people are all dicks and hide in the forest, but climate change is coming for those too and they’ll all burn because of the aforementioned assessment about people. Australians proud of their white heritage, that through immeasurable fortitude and endurance survived the sheer miserable cruelty inflicted upon them through the horrors of greed that turn humans into slaves must, surely must agree that greed is the enemy, greed is cruel and never, never seek to visit that on others and become the thing that is despised. Go in love my friends. Always find out first what we like about each other, before you find out things you disagree with. Because then, ah-ha, we can’t be lazy, we’re stuck, we already like each other and are forced to take a more nuanced approach to untangling and hearing each other’s stories.

After all that education about the misery of what one human can do to another and reflecting that world wars never ended it either, we had to cheer ourselves up with whiskey. Lark Distillery on the harbour front, while not having a fire, was lavishly wood panelled and had real green chesterfields so we curled up and drank whiskey and brooded on the evil of man until we were drunk enough to giggle like a pair of dickheads over other things, then Pia from Sydney’s Black Joak Morris joined us and we drank and drank and gassed away about travelling, Italians, food, Morris bitching and whatever else we could stuff into the evening.

The Tassie trip ended in the dreary rain and I have left out the caprices of MONA gallery, dinners with Morris dancers, wines on Bruny and a hundred other little things. But we’ll go back (in the summer next time) when there will be more to tell; meanwhile I will sit with tea watching clouds rampage across the sky over black mountain, huddle a blanket to me, and write!

What the Folk?

I’m sure that pun has been done before. But I have been getting my folk on over the Merrie Month of May and it has raised thoughts and questions that I’m pondering through. Thus I need to write it out and see what you think!

Easter weekend, I danced Morris at the National Folk Festival in Canberra. A five-day folk festival, and incredibly, one that was a fifteen-minute tram ride from me house and had absolutely no mud. Hard for an English girl to get her head round – surely you’re supposed to get up at the crack of dawn and spend four tense hours in the car crawling past Stonehenge on a single track road to get to a festival in time for the first set, and woe betide anyone who forgot their wellies. Mud is such a feature of British festivals that a whole couture has sprung up in designer rubber footwear. So imagine a purpose built festival ground. Not a farmer’s field that gets churned to shit and swamped in so much rubbish that whole eco systems are destroyed annually, but one with logical paths between stages; purpose-built exhibition buildings with stages in them, bars and so much seating. It was so clean!

Unlike me who was dressed in black and sweatily capering about in what they said was 24 degrees but dammit, felt like a hell of a lot more.

So what’s Morris like down under? Well.

I must first say that at the National Folk Festival, Australia mustered up a whole five sides. My Australian Morris friends correct me here – the purpose of the folk festival is to showcase regions, so they specifically invite certain sides from certain states (yeah, and make them largely pay for their own tickets); this year was Big Fella and Little Fella, so (a) side from the enormous state of Western Australia and then Surly Griffen from little ol’ Australian Capital Territory. And of course, the sides from Brisbane, Sidney and Melbourne that won’t be discouraged from any opportunity to get their jig on. So I get that…but after festivals in tiny places like Rochester, Wimborne, Oxford, Swanage with close on a hundred sides with their varied costumes, colours and pageantry, Australia’s festival lacked that immense diversity.

But it did mean everyone knew each other. They all camped together, ate together, drank together and there was a lovely, close family atmosphere. Er, here I must say honestly that it was a family atmosphere if you were in the family; coming in as an outsider to these extremely nice and friendly people was a little harder. I think I personally mistimed me drinking. That early afternoon high of bombing a couple of pints, then the evening dip after pausing. ALWAYS carry on through! But these lovely chaps had grown up together, danced together, known each other for years, and as some of them are separated by the miles of mountains and desert between Melbourne and Brisbane, at festivals they’re very preoccupied with catching up and hanging out. Of course they would be. Ya know, next time will be better.

Now Australian Morris is really into Cotswolds. Hmm. It’s never been me favourite style. And as I often take a sort of ironical approach to any earnestness in Morris dancing, pointedly glazing over when someone starts telling me about villages in Northamptonshire (about which I frankly couldn’t give two shits and it seems particularly ludicrous ten thousand miles away), and I find Cotswolds dancers take themselves very seriously. For a bunch of chaps with bells on. But my my, can the Australians dance it. Watching the likes of Bell Swagger (freakin’ great name) and Black Joak, this must have been what it was like in England in the old days! Vigorous leaping, shouts, strength, grace, my god did it make me want to join in. The old fellas in England would be trembling their bells to hanky-needing climaxes if they had seen it. It’s exactly what they’re talking about as they heavily lean their rotund bellies over my chair in pubs to tell me all about the dance form I’ve been doing for four years.

Or is it? Because these sides have women; tall, strong, beautiful Australian women who add a uniformity to the set by their height and strength and they kick and leap about on light feet better than any man I’ve ever seen in England. Most of the sides were a rough fifty-fifty split and just dispensed with all that nonsense about women not being allowed because Morris here started after Emancipation, instead of before. And it’s a much smaller crowd, so they just include everyone who has the folky interest. And because they all know each other and because they are slaves to the Cotswolds traditions (about which they know far more than me…see above note in parenthesis), they can all join in each other’s dances, which is quite lovely indeed.

So I came away from the folk festival actually wanting to learn hanky dances which was an extraordinary turn up for the books. But only so I could dance them in Australia. But to reflect on it all, there did seem to be an almost crippling self-consciousness in the clinging to the older Cotswolds traditions. I’ve always found that to be the more sanitised side of Morris; the kind that goes to church and won’t necessarily be found in the dark brandishing flaming torches (does one ever do anything else with a flaming torch?), drinking heavily and communing with some kind of more ancient, less definite thing. Where the hell was the border Morris?

I am assured that Border exists in Australia. When I attend the Huon Valley Midwinter Festival (gleeeee!!) in July, I expect there’ll be a lot more of the burning shit and creepy costumes. Border has always seemed to be the more progressive – even the name suggests it is the pushed aside, marginalised people that have had to forge a space of harmony between things. Well look, that’s my interpretation, and yes, I know about bloody Wales and protecting frontiers. Border sides mostly always have women, do more painting and costume (if it’s about disguising yourself with paint and rags so you can hide not only your face from your employer as you beg for money, why not your gender?) and there is a more pagan, earthy feel to it. It’s also the way Morris is progressing in England; you can be a catch-all for the folkies and the goths and more young people are interested in that style of dance. It’s the style (in England) of the young, and more Border sides are started up that Cotswolds.

Cut to England and I wake up on a narrowboat with the croak of an owl at four in the morning on May the first. Into the blue light in our bells, we step off and I’m drowning in the song of blackbirds and I have forgotten how beautiful they are. Driving towards the beacon at the end of the ancient Icknield way, we encounter a large deer on the lane, then arrive on Pitstone hill amid the yellow glow of a carpet of cowslips and New Moon Morris dance and sing the glowing red ball of light up. I can feel spring.

In Rochester that weekend, a hundred sides in different colours, ribbons and feathers are celebrating the May-o and diversity and colour are the sign of English Morris. Ok, not proper diversity, Morris dancers are still resoundingly white and English, but there is a huge mix of styles and colour. The immense percussive orchestra of the Witchmen boom out across the streets and you find your legs running towards the sound to see what’s going on and you are not disappointed. But my favourite discovery this year was a brand new Morris side called Hugin and Munnin – a pair of dancers and one musician who dress as crows (after the Norse myth of Odin’s ravens, Hugin and Munnin that follow him in battle and fly out around Midgard each morning to bring him news from across the worlds) and did some crazy shit with sticks and shields, and god knows what was going on with the big black bollock balloons that came out and ate people’s heads.

But this is what Morris is about for me. Two people starting up a new side in whatever tradition they fancy, bringing in whatever ancient mythology floats their respective boats, thinking about the spectacle, and incorporating a bit of heavy metal into Morris. Fuck yes dudes, fuck yes. Folk must grow and follow the folk and their culture. Otherwise it fossilises into the elite or the useless.

And Australia seems to have not got there yet. Perhaps it’s still establishing and then when it’s secure, it will move to the next phase. You know, like after the rise of capitalism, there is the inevitable rise of the workers. Yeah, just like that. There are new sides arising in Australia – I had the privilege to witness the birth of one at the Folk Festival. But it was a side of garland dances. Sigh. I can stick a garland dance even less than a hanky dance. But bloody hell, this was amazing! Imagine in May, the frothing of hawthorn over the hedgerows and young, lithe, beautiful girls gather blossoms and weave them into garlands and into their hair and dance. What could be more beautiful? Well, when done by ancient women in a grey town centre, which is the only way I’ve ever seen it done, a hell of a lot could be more beautiful. But in Canberra on that special evening, with fire circles giving light and heat, out stepped an amalgamation of young girls and men from several sides wreathed in green and silver with gold fairy lights in their hats; they danced beautifully and I thought I was on the bankside in a cowslip’s bell where the bee sucks and all the fairies of A Midsummer Night’s Dream were dancing for Titania. It was beautiful.

Australia is reviving Morris and doing it properly. But now it needs to grow. It needs the courage to start something new.  Miles Franklin found that her niche as a writer was not regurgitating the castles and grey moors of Europe. It was ‘off her own hook,’ by making something new, embracing her landscape. So Australian Morris; that is your next step.