Imbolc

My body has fallen back in with its Northern rhythms. There was Imbolc, brief reprise of snowdrop and crocus, brave buds peeping early, but now winter storms have come again. I sit in a turret, with half a panopticon of vista to watch the winds whip bare birch and oak, the hazel’s pale catkins turning yellowish to play dead. Rain is driven in visible sheets before the woodlands and the brook below rages, plunging its steel grey waters.

This reminds me of other turrets; writing in a Goulburn neo-gothic villa, and precarious above the sea at Eden with the writhing jacaranda. But we do things more quietly here in England. There is no wide ocean passage or endless limestone plain. Just ivy choked trees like a mockery of eucalypt regrowth, the green field, the brook, the rain – persistent, but somewhat tamed. Wind howls in cracks in the windows between the ladybird infestations I’m newly discovering. Magpies gather in nursery rhyme prophecies on the grass below. I read them.

Yesterday, I walked along the canal. Stamped mud up my long brown skirt, drenched it in the rain then it was blown dry again by the end of the walk.

If this is all sounding like a typical bucolic idyll where Chris hedge witches about or tramps the fields to the farm shop like Tess of the feckin’ d’Urbervilles, let me disabuse you.

I have moved to Birmingham.

Without is no wilderness, or whatever passes for it in England. I can see the tower blocks from my windows, and the copse runs to the grey tarmac web of roads soon enough. But undeniably, our new apartment is nice. It has two bedrooms. It has a balcony. It will have birds – although not cockies. It is indeed in a warm, south-facing turret with a marvellous panorama. It is by a large playing field, a raging torrent of a brook, the Stratford and Avon canal and is bordered by strips of woodland. So I get all that ruralish bliss, but because it’s just down the road from King’s Heath high street, the buses also come every four minutes. Winner winner.

Since arriving back in England, I calculate I have slept in about eight different beds. We finally have our own little place, and it’s not even shit, and I’m relieved. Today I have spent the afternoon scrubbing skirting boards and dusting venetian blinds while listening to an abridged audiobook about ‘wintering.’ It’s very Chris. This clever writer even managed to hit upon a whole lot of the insightful comments I already made about winter in my last blog. I tell you, it’s a crime I don’t have my own radio 4 podcast yet. But this writer certainly focused on all the good stuff about using winter to rest and rethink. Wallow, I say. Embracing sadness, stillness, quiet. So I meditated very profoundly on these deep thoughts while balanced on the windowsill until I opened the window to let out a mysterious ladybird and a whole fucken swarm of flies collapsed onto me.

So that was stillness, repose, and very nearly me, right out the window. Seemingly ladybirds are sort of nesting in the window frame. The bit where you open it, on the side there, don’t look too closely, it’s probably where the spiders lurk, although I’ve never worked out how they don’t get squished. But in the case of my windows, there’s an intimidating number of ladybirds crawling over each other, potentially preyed upon by the swarm of flies that also seem to inhabit the area. Perhaps it’s not so bleak. Perhaps they all live in the window frame in some sort of symbiotic harmony, like an epiphyte or something; but I tell you what, they’re not bloody living in harmony there anymore because I poked them all away with a pen lid.

That shall need further Dealing With.

Goodness, this wind has got rather more intense; as has the rain. I shall be able to see a soggy Gentleman walk up the path from here soon enough. Poor man. Have a care also for the poor spider in the left-most window; she has spun her web outside and is being rudely buffeted, but she is an English spider so I don’t need to move out and leave her the keys – she won’t be trying to kill me in my sleep.

Other things I have been doing in my two days At Home is traipse to Lidl and back (it’s like Aldi, chaps – and we even have Aldi in the UK too) to restock cupboards. I thought regretfully of all my nuts and seeds and stacks of food organised serenely in Jen’s Northbourne cupboard, but of course, I’m just glad it didn’t go to waste. Meanwhile, I rebuild my spice collection starting with C and working up.

I have seen most friends since getting back. And shout out to those dear bosom friends of the soul – who keep me in their hearts while I slip away for three years and welcome me home again as if I’d never left. After my mother’s arms and her insatiable pouring of wine, nothing made me feel more at home than reuniting with people who let me just guiltlessly pick up where I left off – who clearly didn’t begrudge my absence but were just happy for my return and the time I’d had. As I get older, I hit happy milestones of having known some friends longer than I haven’t, and there is much to be said for having friends that have seen you grow from idealistic student to embittered teacher and still like you anyway. I am aware I’m pulling a bit of a Victor Frankenstein, here, lamenting that old friends of youth are the only true ones, and new friends are never as good, while he dies by the new friend who rescued him from the ice. Poor Walton. I shall do no such thing – and I hope my Australian friends will stay close as I work to keep the Australian version of me true and open.

Which I suppose brings me to my new job and how my friends are helping me in to that. Having applied to a swathe of jobs, I’ve accidently got one that isn’t teaching. This has been an intense mind shift. Instead of marking mocks and guiding young people towards my leftist agenda through peace, love and literature an’ all that, I’ll be doing a junior admin role with the Open University. Working from home, in my little turret here. Seven and a half hours a day.

The same day I was offered this job, I was also offered an interview for a teaching role with a TLR in a school out past Wolverhampton. I sat down to prepare my interview lesson, I spent two and a half hours in Birmingham library stimulatingly researching the poem to teach, the method I would use, the resources, and realised I had completed only the first fifteen minutes of the lesson. I didn’t sleep for two nights, felt sick on the day of the interview and needed to poo five times before leaving. And that is how I feel for the whole first year in a new school. I am such a fuck up. But I really don’t miss that. The feeling that even after hours of planning one lesson, doing it completely differently might turn out to be more effective. You just don’t know. And there isn’t the time to plan lessons to that extent. And I don’t know what it was, but while I was sat in the inevitable breaktime come-and-bog-at-the-new-teachers session I felt … some of the toxicity of teaching again. The comparing of yourself, the trying to outdo each other, the show-offyness. But that’s all neither here nor there – I didn’t get the job, so junior admin role it is. It’s not a pay cut; right now, I’m on nothing, so it’s a definite pay rise.

I have gone through several waves of emotion on all this. First, I thought of all my marvellously clever friends who are role models and leaders, like Brooke and Claire in Australia, and Jenny in London and worried they might not want to be my friends anymore because I’m not in their league as a junior earner and lowly admin. Then I realised that was not only foolish pride, but also quite insulting to their integrity and decency. Then I felt like I was betraying my beautiful teacher friends like Corinne, Spellman, Emma-wife and Grace by abandoning them. ‘Confessing’ to Corinne made me feel better. Going back to my old school, where my old role doesn’t seem to be … thriving, made me feel worse – I should be sorting this out. Sitting with Emma on the floor of her spare room while she looked like she was about to pass out with exhaustion made me…think again. I love working with young people and sharing literature. But that seems to be less and less what teaching is allowed to be.

Part of me is a bit embarrassed that I couldn’t get a role of equivalent responsibility outside of my sector. Lots of people manage it. I expected a drop in pay, but not quite this much. Hearing other people talk about the things they’re doing at work that sound so important and exciting make me feel a bit ashamed of myself. But I don’t start till Monday, so who knows, my job could be that too.

Ultimately, I come back to Imbolc. The cold part of early spring, where things begin to grow from tiny, vulnerable shoots that may either die or thrive. Yup, I’ve picked a bit of a nervy time to change from a stable, well-paid career to a very junior one. Australia – I’m sure you’ve heard about fuel price increases which are global, but the UK is facing a major cost of living crisis this spring. Whoops. But I am also hoping this job in an excellent organisation will lead to more challenging things. I know there are excellent opportunities in the OU; I applied for them and didn’t get interviews. I’ll apply again.

And there will be growth in other ways. It’s morning now and I have re-established The Routine, even though I lamentably don’t have Hanna anymore to keep me accountable. I was up at six, did a HIIT, washed and was writing this by half past seven. I mean very much to keep up writing and the successes I’ve had in Australia. I will be planning it in and using the extra brain-space and weekends (where I’m too poor to go away) to finish novels and try to develop as a writer. I needs must first buy myself some sort of floppy sleeved linen shirt a la The Death of Chatterton, now that I am going to be a poor, struggling artist. Really lean in to that, you know? But all my life I’ve not had to think much about what happens next, because the term drives you forwards and tells you what to do. Now I must decide. I’ve realised in the last few years how damn lazy I’ve always been, how I actually find it a bit of a struggle to push myself to do things I don’t have to do. I was a bare minimum kid who was lucky enough to be reasonably smart. This will be real growth, real change. It will be hard.

It’s a beautiful morning. Storm Eunice is on its way. Things are lovely, then hard – there is no linear trajectory, just cycles. I will be soothed by sunshine and blackbirds and feel strong and happy and capable. Later, even though I know it’s coming, I won’t be able to stop myself being anxious or overwhelmed or deflated when things are difficult, despite logically knowing it’ll be alright. But I know I’ll survive it.

Growing hurts. This is the lesson of wintering. Poke green fingers through the earth and frost will bite them. But snowdrops grow anyway. So you must poke, try, make, and when it hurts, it’s a reminder you’re growing.

One for Sorrow, Two for Joy

‘Sly, crafty old magpie,’ grandma said. She smiled and we watched wide eyed as she smiled her hundred-times grin; each crease in her face beaming another curve; sideways, upside down.

‘They steal you know.’ We watched her reach up to the tufts of twigs in the apple tree, blinded by the sun. We ducked from it as she strained to the glints.

‘Shiny things.’

The chitter of the monochrome magpies heightened as she pulled out tarnished silver and broken pieces of necklaces and handed them to our wide-eyed, wide hands.

‘Five for silver, six for gold. Do you know that on the other side of the earth, magpies don’t chatter, but flute? And they don’t steal, they swoop down and attack your eyes.’

We flinched. Grandma’s stories. Silver, gold, secrets, violence. Keeps you meek and the world magic, keeps you safe, keeps you fed your supper with no complaints, and in bed by eight.

Grandma winked at us and we stepped back as the bickering chutter of magpies scattered in a shimmer of eye aching blue and ebony.

‘Time for tea girls.’

* * * *

Over our bread and jam, grandma taught us the full rhyme. We ran upstairs after supper to the attic to sit cross legged on the floor and face each other. We were captivated by these thoughts of silver and gold and the secret lives of magpies.

‘So when you see two magpies, it’s good luck?’

‘Yes, because they’re married.’

‘What do you think a magpie wedding is like?’

We are momentarily lost, thinking about this.

‘Well I think they have to bring silver and gold.’

‘What sort? In sort of thread and material? Or piles of coins? Or goblets?’

We ponder again.

‘Coins have got to be hard for magpies to carry around. Maybe silks they can tie to their ankles like streaming ribbons. And thin pendants they can carry in their beaks. But what about the bad luck?’

‘Well, if one is alone, it means his wife has died.’

‘Or her husband.’

‘But why is it bad luck for three for a girl?’

This is troubling. Are we bad luck too; double bad luck? Were we not supposed to be born? We stare at each other seeking comfort in the endlessly renewing fascination of our matching faces. We are more accustomed to each other’s face than our own.

‘Maybe it’s more simple. It’s just a married pair, plus one.’

We look at the floor, doubtful, and pick at our skirt hems in thought. Then a chitter by the window disturbs us and we skip up to lean out of the sash from grandma’s attic and watch the magpies going to bed.

* * * *

Grandma combs our hair into bunches which we hate, and we go out into the lane. We skip along holding hands, reciting ‘one for sorrow, two for joy.’ We stop every time we see magpies to count them and whenever we see a solitary one in its white waistcoat and shiny black jacket, we remember to shout, ‘good morning Mr Magpie, how’s your wife?’ We alternate this with ‘Mrs’ and ‘husband,’ to make sure we’re fair.

A man stops to watch us throwing bread to the magpies.

‘They could be your witch familiars!’ he laughs, while grandma frowns. ‘Those two look the same. Just like you two.’

We don’t really know what a familiar is, but we like the sound of it.

Next door had a cat. It used to chase the magpies and we laughed to see ten of them see it off; ‘what’s ten magpies grandma?’ ‘ten for a surprise!’ and the cat slunk off to sulk. Grandma told us other versions and used to chase us when we saw ‘eight for a kiss!’ but it always ended up with the devil somehow.

‘Are magpies evil?’ we ask each other. We’re not sure.

‘But it’s always two for joy.’ We are calmed. Whether three is for a girl or a funeral, the two of us are always for good luck.

* * * *

We go into the forest at night. We planned it for weeks like a midnight feast, like a treasure hunt. We would find the home of the magpies and bring back everything they stole. We imagined reuniting tearful princesses with their jewels, and we would be heroes and be rewarded. It felt a bit like a betrayal of the magpies, but maybe we never thought we’d really steal their treasure. We just wanted to see it, shining and heaped up with the magpies dancing round it.

We went into the forest at night.

We went into the forest.

We were afraid in the dark, but we held hands and took turns being the bravest. We reminded ourselves that there are no bears and wolves; those mindless savages that can’t be reasoned with or be moved by two little girls in the woods. We were not lost, we marked two notches (two for joy) in a tree every time we changed direction.

Into the forest.

The moon is half full exactly and we can see the ghostly outline of its shadowed half. Black and white, a bit like a magpie. It’s a cool night, but not as cold as winter and we have our jumpers on. The forest is thick and shudders around us, leaves whisper and we tighten hands. We follow a crook in the path into a clearing.

And here is the Magpie King and all his court, resplendent in black and white, the green blue shimmers of their feathered coats gleam in the light from a vast pile of silver and gold heaped before him, and all the other magpies skip and flap around. The sound is deafening and the movement of black and white, white and black dizzying until all colour and shapes break down and become each other, identical twins, and we stop pretending to be brave now. The Magpie Court has us in its beak.

When the Magpie King steps forward, we see his silver chain of office resting on his white breast and there are gold ribbons streaming from his legs. Behind is his throne in giddy opal and amethyst and there are pillars framing it in emerald and gold, like the moon floating in the forest. When he speaks, it is the corvid call and chatter.

‘What two little girls dare to leave their beds in the middle of the night to wander my forest?’

We look at each other. No heroic plans of returning treasure now. We speak up.

‘We wanted to admire your beautiful court. We wanted to see your silver and gold.’

We wanted to tell the lonely magpies not to be sad and give them company.

‘So you wanted to gawp at my riches, not bring any?’ the king squawks. The talons on his feet gleam and his beak is razor sharp. His eyes widen and the rage swells his huge wings.

We shuffle awkwardly. We apologise. We beg to be allowed to go forth from that place and return again with gifts for the magpies.

‘No,’ the King’s voice ratchets. ‘Thieves fear thievery most of all.’ He circles us, inspecting us both, our bunches, our socks, our jumpers, his wings barring us from the rest of the forest. ‘You have seen our secret to never be told. Now I need a bargain to be sure you won’t steal our secrets or our treasure.’ And he lunges for us and drags at us and all the magpies peck and push and the world is black and white and sharp and we are pulled apart for the first time in our life.

It always ends with the devil somehow.

‘Bring back treasure,’ the king commands. ‘Before you can leave here together.’

I run alone through the forest.

* * * *

Our eyes are both stinging, we know, and our throats both breathless and shut; we both feel the empty air at our side, but I am so cold in the forest.

Back home I slam through the door sobbing and empty drawers – I have become magpie eyed for shiny things. I scoop up teaspoons, clocks, small figurines, I steal granddad’s watch and grandma’s wedding rings and pearl earrings from the painted china pots she keeps on her dresser.

Out again into the night I run with these offerings for the magpie king to pay for my sister back again.

* * * *

Crafty magpie, grandma said. Sly old bird.

Back into the clearing, there are no birds; no opal amethyst throne, no court, no sister. I lay down with my bag of offerings and wait. I watch the moon sink and the sky fade from black to white. I wait until I get hungry, and I get cold and I stay waiting. I wait alone for days with the seven-magpie secret.

Crafty old magpies. They steal things.

In the grey dawn, a single magpie drops onto the branch of the dead oak above me. It chatters mournfully.

One for sorrow.

Sensitivity Scorned

A light is a sign. It should be watched, listened to. Don’t hide it under a bushel.

Throughout our times, and those before, we have been given many signs. A leveret killed by a fox and its corpse smeared along the path. The way crows gather in huge black clouds. Owls hawking eagles. All these auspices we read in the sky and earth. We have learned to look for these signs, to watch the colour of sunset and the movement – skittish – of early blackbirds. To count the families of magpies and interpret them. We know how long to season oak, harden beech, mix nettle and primrose to heal our people. Some say we look into the seeds of time to see which will grow and which will not. Well, we are the sign readers. You ignore us at your peril.

With this meticulous looking and listening, I learned to love every contoured, coloured space of my country.

When I was a young girl, my mother taught me how to read the signs. The first spring we sat together under the ash; the air was sweet and soft as cowslips and Queen Anne’s lace made us a bright cushion. She taught me the repeated call of the song thrush and to learn the difference in its numbered refrains. She showed me the badger sets – to read their moods from their discarded hairs, and to hear of things to come in their snuffling; and in the call of owls, the movement of bats; the way moonlight falls in the secret places of deer.

One day, when I was a young woman, I plaited blossom in my hair and danced between the apple trees to wed a sweet boy. That night, before we bed, I slipped out in the full moonlight and buried a hard, dry pea in the earth where two paths crossed. I sprinkled spring water over it, whispered; and listened. A stillness. Then three screams of the owl. The earth rose gently and shifted, and a shoot broke through. Satisfied, I went back to my lavender scattered linen and my sweet Hrafn. I was pregnant by the end of the week.

A time I had with that first carrying, as summer passed and winter thickened. I read omens in my aching breasts and sickness. My hair grew thick and long while the pain in my swelling hips interrupted my sleep. The baby growing in me never seemed still. It writhed before rain when I read the skies to see the rain coming, it flopped over before high winds. One night, I awoke to a painless dampness; blood streaked the sheets, and I roused my husband with shrieking afraid we had lost our child. There had been no signs. My mother was sent for and we three cleaned the linen and washed me amid our tears. Two hours later, I felt it move again, a vigorous kicking. But our relief was broken when the neighbours thundered at the door, screaming that a fire had broken out in the dry lightning storm and the barn was aflame. In the last two hours it had taken hold and the village lost four new born calves. Hrafn ran off to help save the rest while my mother and I looked at each other in the fire’s distant red glow. We read the sign; clear as morning.

That this child would not need to learn how to read them.

 * * * *

When my daughter was born, she slithered into the world with her eyes wide open. Her left eye wandered outwards, unfocused. The right was sharp and piercing; it fixed me with her first look as I took her to the breast. We named her Arndis and my mother mopped the child’s skin with fennel and cinnamon water and blessed her with ashes. All the while, that unfocused left eye stayed open and rolled. I watched it that night, the second day, and the third. It never focused. But after watching and reading, I knew; I could see it; I knew that eye could see beyond the signs I could ever read.

* * * *

When she is five, I take my daughter to the flower meadow. I teach her the names of flowers, which tree bark heals, the mood of the weather in a bird’s cry. I teach her in the May morning to read the signs and she forgets nothing. She looks off into the distance and her wandering eye, blank behind the black pupil stares away left.

‘Mother,’ she beams at me. ‘Harvest will be rich this year.’

I smile at her childish tones. But I’m proud.

‘You read the signs well, little bird.’

But now she fixes me a serious look and her left eye droops more. I am suffocated by a sudden heavy gloom.

‘Store it mother,’ she pleads. ‘And next harvest, and the one after that, and the next. Eke it out. Plait more straw for trading when it runs low.’

‘What, child?’ I whisper.

‘Famine mother,’ she answers. ‘In four years.’ And she lays her light curled head on my lap and weeps.

This I could not read. But she could see it.

* * * *

Arndis turned nine with the last of the lambing. And she was right. That summer was cold and damp, the valley crops were water-logged and most failed. Harvest time came, and despite our season’s customs to bless the land and call for plenty, we had little fresh gathered at the thanking festival. Yet we were thankful. Our people have long trusted their sign readers, and when I had called for prudence with our surplus, it had been stored and extra planted in the good years. We would survive. My child was hailed as our greatest sign reader yet and those who came out of the forest and down from the foothills in need gave her thanks. We fed them, cared for them in sickness, and weathered the famine through the hunger months, until the first shoots of spring cabbage swelled for picking. In May, we drank our ale, gorged our bellies full for the first time in months and crowned Arndis as the May queen with flowers. We danced amid the apple blossom to give thanks in the warm sun that Beltane: famine was over at last.

* * * *

My child grew and we watched her with love and fascination. We had no more children, but my sisters did, and my daughter led her little cousins by the hand to the ash tree in the wildflowered meadow to teach them how to read the signs. She knew her gift, but kept her instructions temperate and careful. All our people in the valley and the hills and woods loved her; our sacred light.

One morning, when she was fourteen, she awoke me early with her face creased in pain. As I rose to comfort her, I saw the skin beneath her ribs flushed blue with bruising that flowered there. I held her shaking shoulders as she cried in the grey dawn light.

‘What happened, my dove?’

‘There is something in the bed, mother, that hurts me. Like fingers piercing me, bone-like, evil; I’ve not slept all night but rolled on bones.’

Of course we searched the bed. We pulled the blankets off to inspect the sheet. Finding nothing, we lifted the mattress, the bed itself. Still bewildered, I begged her to lie upon the bed again to try and show us where it dug the most; and her cries of pain were the wails of a lost child and it broke my heart so that I ripped the mattress to shreds for hurting her. Despairing, in a pile of feathers and straw we sat staring at the floor wondering what could have broken so violently the sleep of my child.

‘Mother, that crack on the ground,’ Arndis started to her feet. ‘It was never there before. When I kept my corn dolls under the bed for sweet dreams, it was never there before.’

I dug with my hands. I followed the crease, digging through the earthen floor. I called to my husband for the spade, we dug together an appalling hole in the floor of the room while Arndis leaned over, scooping earth away and pleading that we persevere, it was near, nearer, close now.

Two and a half metres down, my daughter triumphantly pulled out a shrivelled, mouldering pea.

‘It wasn’t that?’ Hrafn exclaimed in surprise. She looked at him, tears in her eyes.

‘Damn you, look at her back!’ I roared at him. ‘It did that! It’s a sign!’

Our child kneeled back on her heels, staring at the pea in her nightgown lap.

‘What do you see, love?’ Hrafn asked. She looked up at us again, frightened.

‘Call everyone,’ she murmured. ‘Everyone. It is a sign, and we can’t prevent this on our own.’

We called our people together in the long barn we used daily in winter with its central fire and ale store. I had seen my people dance at Thanking Festival in this hall, and on Wassail, and the Solstice tree clash in the flickering gold of the fire, vibrating the ceiling beams with their songs. This morning was tense. The elderly settled nearest the fire, folding their grandchildren in their laps and others squeezed around them knocking snow off their boots from their journeys down from the hill homes in a sombre hush. We sign readers stood at the front, my daughter ahead. My mother, her silver hair a cloak down her back, spoke first.

‘You know the power of my grandchild.’ She paused to look at the stern faces ahead that twitched in nods. ‘She has proven it in her birth, her visions and her warnings. She has kept us safe, ensured our prosperity.’ Murmurs of assent through the fire smoke. ‘She warns us now.’ Here she turned to my daughter. ‘Speak child. Tell them.’

Arndis stood forward. From behind I could only see her long hair, darkened to a light brown from its childish gold. Her shoulders were thin; she was always a small girl. But her back which faced me was firm, her voice when she spoke, though low, never wavered and I bit my lip to crush the emotion threatening to dismay me as I looked at her. My child. So young still, and holding the thick weight of our future in her thin arms that should hold the flowers and herbs I want to scatter over her beautiful head in blessing.

‘There will be pestilence,’ she said. ‘It is even now festering in the ground, coursing under the rabbit warrens of our land and souring the soil. Crops will die, but this is not like our last famine. It will cause disease in our people, poison our rivers and streams and all, from the smallest field poppy to the greatest boar in the forest, all will die.’

I watched the faces of our people as the cold, bony fingers of fear clutched their hearts and stopped their breathing. Silence followed.

‘Can it be stopped?’ a man called from the crowd.

Arndis sought him with her eyes. ‘Yes. It is the war our King is fighting on his further borderlands. The dead, the starvation and the rot have infected those lands deep beneath the fields. The blood of injustice corrupts it all. It is spreading fast. If I can gain an interview with him and put forth my application for peace, we could arrest the chaos and pour balm on the land; heal it.’

My mother twisted to her granddaughter, her steel hair falling over her shoulder. Her voice hissed. ‘You will make this journey?’

‘It’s my duty, grandmother. I must.’

I did not see how my mother swallowed hard, her eyes wild and her hands before her face. I saw nothing but my own child’s head as I screamed my protests and clutched those thin shoulders tight to me.

* * * *

I watched my daughter climb into her saddle. She had to jump a little to make the distance to the stirrup because she is still so young, and she scrambled and shuffled awkwardly, and I cried then for how will she convince a king if she can barely reach her own reins? I pinned mistletoe to her reins for luck, and seeing her cloak was fastened, I stood back, to let her urge the horse on. My husband urged his on after, his face grim but his heart soothed to go with his daughter. My own heart was cracking. I saw the fear through her brave smile and I could not speak, but squeezed her calf muscle as she moved off. A five-day journey across the mountain pass and down the planes through the late winter snow.

I was restless all week. I read the winds, the way the wolves came closer at night, clung with famine. I watched twelve crows descend in a ring and squawk, fighting over a dead vole. Another snow fall mixed with the mud stained melt and the paths between our village homes became a stiff quagmire to snap an ankle on. A grey fog descended, hiding the valley, hiding the peaks and the trees and hung there for three days. The wolves howled through. None of these signs were auspicious. The week stretched into another and a third, then one morning as I went to the wood pile, two magpies bickered on the nearest branch of the willow row. The sky had cleared and I knew my daughter was coming home.

Two more days I waited at the meadow edge to look out for her. At last, as the sun turned the late afternoon sky purple and gold I saw two figures on horseback. Hitching my skirts under my arm like a wash bundle, I raced through the muddy snow towards them.

* * * *

It had not gone well. By the fire, with my mother, my pale daughter told us of her petition. How the king had laughed and put my husband in chains, and forced him to watch the derision of his child. How the duke had demanded she prove her power, and took her to a room with seven beds, each piled with twenty mattresses, and bade her lay down on each one to find the old pea placed under one of them. How the prince had leered as she lay, stony faced on each bed. Here she paused. We winced. Hrafn continued that they were lucky they were not whipped for the king takes not his foreign policy from peasants, and they were sent away. We stared into the fire silently. We passed the hot ale around.

‘What now?’ I asked.

‘Blessings,’ my mother suggested. I looked at my daughter as she nodded slowly, her eyes fixed on the fire.

‘Be frugal with what we take from the land,’ she said. ‘Give back a morsel of all we take. Then when we have nothing, we’ll have a fat stag at the door. Be vigilant with our rivers, let not our waste escape in so our fish are killed. Keep clean. And dance and sing because we’ll need our spirits. We must love our land and each other to balance the hate of the king.’

* * * *

We watched the deer that rutting. We left offerings. We blessed the spring when it came, cautiously, and saw the birth of our lambs, of fallow deer, of pheasants. We lived carefully, with a new look between each other, of a shared unspoken thing.

And then winter. I watched the sun swell the thick, blood red of the Ragnarok stories, the poisoned red light that drives men mad. We drew in our breath, tensed. The earth was the steel death of winter and it dragged on past Imbolc and on towards Beltane, still with the low blood sun over short days. We continued our offerings. We tended the few weak lambs that crept, mewling, into life. There was only brown dead grass for them to eat in this eternal winter where the green fingers of spring had failed to stretch out from underground. Would we just die with our land? And then the falcons began circling high above the mountain and I read the horses beneath on the mountain pass. They showed me the death might be a different kind as the king’s soldiers approached our village.

Disease had spread in the city and Famine clawed at the keep’s walls. The prince had died. The king had realised the power of my daughter and in his anger and shame, he called us witches who had cursed his kingdom. He had ordered our capture and the soldiers had come for us.

The sign readers stepped forward. We were bound in chains and thrust into the cart that would bear us away. The light was hidden from our people.

* * * *

A light is a sign. Arndis made a light. The hardest thing for me was to trust what she saw; trust what I had never seen. Our arrival to the keep was a humiliation we had never known. The city’s populace, scabbed with festering sores, stained black and red with plague had turned out to jeer at the witches. They threw what rotten vegetables were left in that starving place into my mother’s face and I cringed to see her strong back sag, her silver hair smeared with filth. Hate is a weapon and they hated us. And watching them mock my child, and cow my proud mother, I hated them too. But Arndis leaned forward, trying to clasp hands of the mob and press remedies in their fists. We have healed plague in our home, and as they threw cabbages and shit, the shit of their animals at her, she still spoke calmly: yarrow infusion for the fever and vomiting; garlic and wild thyme against infection. Even chained to a dungeon pillar later, I felt relief that we were shielded from the vicious hate that had been whipped up in these people.

We waited there three days. My mother and we three daughters watched the star and moon patterns through the small grating that served for a window and tried to balance the good and evil we saw there. But Arndis looked at nothing, only leaned back against her pillar and idly fondled the fetters. Then on the third evening, we were visited by the Duke. When he swept into the room, I watched my daughter flinch and shrink back into the shadows. The Duke of the bedchamber and one hundred and forty mattresses to lay my child upon. My mother and sisters and I stepped forwards, our shoulders a wide wall in front of Arndis as he leered.

My mother lifted her chin. ‘Well?’

‘You will be executed at dawn,’ the duke said, an ugly scorn cutting his nose and mouth.

‘So now you have a notion of the importance of symbols and offerings?’ my mother laughed bitterly.

The duke leaned in to her, his face close enough for me to spit at. ‘You will be burned,’ he smiled. ‘That should cleanse the evil.’

‘And the war?’ asked one of my sisters. ‘If that continues, burning us will not make a difference.’

‘It will comfort the city and the king to watch you writhe and die,’ the duke snapped, turning to her. We stood in our walled line, our faces stone, staring forwards with our chins up and our shoulders touching. We must not break. My mother inclined her head slightly in assent.

‘Good luck with it,’ I said. ‘You know as well as we, that we are all lost. Our deaths will be more painless than yours.’ I felt my daughter move behind me, my child of sixteen with a life stolen from her and my rage flickered and flamed. And in my rage, I read what I saw, and the vision was comforting. ‘You will suffer a death of fire, sir,’ I cursed. ‘It will consume you as you stand and catch your hair and your fine robe so you will be a living pillar of flame. Your skin will crisp and crackle like a Yule hog and your last moments will be anguish and horror. You will fall to your skinless knees and beg for water to quench it, but your voice will be lost in choking smoke, and all will flee from you. I curse you, sir.’

He hit me then. But we were a stone wall and I did not even reel back but was motionless standing masonry. Blood came from my eyebrow and I smiled. He looked at us in confusion and mounting horror while he nursed his useless fist, then swept from the room.

That night, we slept little. I held Arndis to me as my mother clutched her daughters round her. We sang to spur our defiance and watched the moon, swollen and silver. We wrung love from the last hours together and tried to rejoice through our strained wakefulness, that we were together at least. Three generations of sign readers. A pattern. A sign in itself.

And then the last sign came. Just as night was almost at odds with morning, a noise from the window roused us. A magpie had landed there and strutted back and forth in its tailored waistcoat and frock coat. We watched it, a comforting life in monochrome. Then it was joined by another. Then another and another. We read aghast, the swelling visitation until the seventh arrived. It held a piece of sweet-pea in its beak – the pink and purple of late June. We stared at each other. Arndis spoke.

‘Can’t you see it now mother, when it is so near?’

I looked at her. Those thin shoulders, her long hair; her heart that loved so blithely. My heart broke again. I saw her, our light, and I saw now what the signs said. My mother saw it, and my sisters and my nieces as we stared, dismayed at Arndis, with the eye that never met ours, but saw further.

‘When I shout run,’ she whispered, ‘do not hesitate.’

* * * *

The rest is a series of dark pictures. We were pulled out at dawn; subjected to more jeering. We cried now and the king and duke laughed, thinking to have broken our spirits at last. But the cramping, biting, wrenching loss was not for our own lives, but my child’s, who knew, all along, what her fate was.

We were bound to stakes and hefted onto pyres. The man in the black mask with his burning brand stood by, waiting. My breath caught and my heart fluttered like a wren and the damp on my hands and under my arms made my bonds slip. The king was speaking but I heard nothing through the black wall of noise, the black buzz of ‘witches!’ and cheering as the executioner held up his brand and walked towards my child. Only a child. And such fear of a child. She twisted her head towards me and smiled, the most beatific smile I’d ever seen her beam. It was serene, it was joyful, and it smeared through my tears into something misty and permanent. I could see her mouth the words ‘now, mother!’ like a triumphant shout, as if she was starting a race, and the pyre was lit and the faggots caught and a light, a white shimmering light erupted; burst like a waterfall and fanned out in a summer heat we had not felt for ten months.

Our bonds singed first, and we slipped into the kindling. We waded through it, and gathering wrists of sister, mother and child and ran through the crowd, ran through the gates as soldiers bolted past us to bring pails to the explosion. We ran out of that cursed place as it was engulfed in the flaming inferno of my child; burning duke, king and pauper; melting metal, boiling lead, scorching septic earth and slaughtering the pestilence, war and corruption that infected the land.

A light is a sign. Her light could not be hidden.

* * * *

In lands far from ours, a burning cleanses. It opens space for light, it nurtures the soil; enriches it. The trees grow stronger and the regrowth is thicker; birds return. My daughter’s fire did this for our land. We made the journey back through forest and mountain pass, filled half with joy and half with despair, while the iridescent blue of kingfishers darted past us in forest streams and magpies called to each other. As we reached the willows at the edge of our home, we saw the purple and gold of crocuses had broken through the earth. Spring had come. Our land lived again.

* * * *

I am much older now, but I am a great favourite with my sisters’ grandchildren. My hair is a steel cloak down my back and my husband’s is a long white cape. I keep a small shrivelled pea on my hearth to show these babies and tell them about our greatest sign reader, as I teach them to read the meaning of magpies, what will come from the colour of sunsets and how to make a decoction from oak bark. And the light is returned to our people.